The Son
Author: Philipp Meyer
Publisher: HarperCollins
Date of Publication: May 28, 2013
Pages: 576
This book has received nothing but glowing
reviews. Author Kate Atkinson (Life After Life, Case Histories) went so
far as to say “The Son stands fair to hold its own in the canon of Great American
Novels. A book that for once really does deserve to be called a
masterpiece.” This is the author’s
second novel. His first, American Rust, won the 2009 “Los Angeles
Times” Book Award and was one of “The Washington Post’s” top ten books of that
year. This fellow can write The
Son is a challenging read at 576 pages, but well worth the effort.
This novel is a multi-generational saga of
the McCullough family. It begins with
13 year old Eli McCullough being taken captive by a Comanche raiding
party. He survives only after witnessing
the brutal destruction of his family.
Eli eventually is embraced by the Indians and he learns their language,
culture and skills. The descriptions of
the Comanche ways of life are riveting as much as they are eye-opening. Eli returns to “civilization” such as it was
and becomes a Texas Ranger, a Confederate Colonel and eventually a land and cattle
baron. His legend both fuels and haunts
subsequent generations. The story
unfolds over the decades through Eli’s son and great-granddaughter. The McCullough family’s story is intertwined
with the economics, politics and history of Texas.
The story is not told in chronological
order. Chapters of each of the main
characters are interspersed with each other.
At first I found this distracting and somewhat confusing. Once I was able to keep all of the characters
straight it made each of the stories a bit more compelling. Each story enlightens the others, subtly
revealing motivations, character flaws and cause and effect relationships. The author’s ability to create unforgettable
characters is unparalleled. His craft in
weaving these characters into historical context is brilliant. The author not only is able to examine
history, but also the sociology of the region.
He manages to even make Texas politics somewhat understandable. In one sequence Jeannie McCullough, the
heiress to the family oil and cattle fortune meets Lyndon Johnson, then a young
politician running for the State Senate for the first time. Jeannie gets a quick lesson in the cost of
political favor.
The
Son is more than a fantastic historical novel. It has tremendous characters, pulse pounding
action sequences, plots which mesmerize and prose which absolutely amazes. This book, however, is first and foremost
about power and, most importantly, land.
The author reminds us that the land was stolen from the Indians who had,
in fact, stolen it from other Indians.
Spaniards came and stole it again and finally the whites came and stole
it yet again. The topography of the land and harsh extremes of climate shape
all of these peoples in one way or another. The McCullough familial drive for more cattle,
more oil, more money and more land becomes a character of its own. The story of the McCulloughs is really the
story of the trap of the American dream: that more is better, that the kinds of
things that wealth can buy always translate into real-world advantages. For the McCulloughs that doesn’t exactly work
out. There is always a price to be paid.
A bit of warning: The Son is not for the squeamish.
The violence in this book is vivid and intricately described. The rape and murder of Eli’s mother and
siblings by the Comanche will at the very least make you uncomfortable. There are other sequences where the violence
also comes fast and furiously. It is a
necessary part of this brutal story but one which may be shocking to many
readers. This is by far the best book
I’ve read all year and maybe one of the best ever. Will it become part of the great American
Canon of literature? Only time will
tell.
Meyer is up there with Faulkner, Hemmingway, McMurtry and my personal favourite, Cormac McCarthy.
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