Showing posts with label T. C. Boyle. Show all posts
Showing posts with label T. C. Boyle. Show all posts

Sunday, February 23, 2020

Book Review: After the Plague by T.C. Boyle



After the Plague

Author: T. C. Boyle
Publisher: Viking Adult
Date of Publication: September 2, 2001
Pages: 256 (Hardcover)


     This eclectic collection of short stories is about as good as it gets.  There are sixteen collected tales here which range from poignant to sublime.  Each story is packed with eccentric characters in difficult and often very odd situations.  There are normal people thrust out of their comfort zones,  older folks not coping with loneliness and depression and young lovers failing to accept or even realize the consequences of their actions.

     Stories are told from unique points of view, some from minor characters and even one narrated by a deceased spouse!  What is the constant in these stories is the superb writing: word craft of the highest order.  The opening sentences grab the reader and thrust you smack into the middle of the tale.  Consider this opening sentence from "Friendly Skies":

     "When the engine under the right wing began to unravel a thin skein of greasy, dark smoke, Ellen peered out the abraded Plexiglas window and saw the tufted clouds rising up and away from her and knew she was going to die."

     Even though this collection is a bit dated (published almost twenty years ago) the author has showcased timeless issues: anger management, sexism, ageism, class status and struggles with unmet expectations in relationships.  The star of this collection, though, is the writing which is timeless.  I highly recommend this collection and anything else written by this superb author.

Monday, April 18, 2016

Book Review: The Harder They Come by T.C. Boyle






The Harder They Come

Author: T.C. Boyle
Publisher: HarperCollins
Date of Pubication: March 31, 2015
Pages: 400 (E-book edition) 


     T. C. Boyle is a prolific writer of novels and short stories and a Professor of English at the University of Southern California.  He has written historical novels with quirky central characters including The Road to Wellville (John Harvey Kellogg, physician and inventor of corn flakes),  Riven Rock (Stanley McCormick, heir to the Cyrus McCormick fortune), The Women (Frank Lloyd Wright) and The Inner Circle (Alfred Kinsey).  He has also written novels which focus on major societal issues including illegal immigration (The Tortilla Curtain), identity theft (Talk, Talk) and global warming and environmental destruction (A Friend of the Earth).  The Harder They Come falls into this latter category.  This ambitious book takes a hard look at our country's culture of violence and factors which contribute to it.

     The riveting first section of the book introduces 70 year old Sten Stenson.  Sten is a jaded Viet Nam war veteran and retired high school principal.  He hates retirement: he describes it as "pre-death". Sten reluctantly agrees to take his wife on a Caribbean cruise which the author makes feel like Dante's ninth circle of hell.  Sten makes international headlines by violently thwarting an attempted robbery during a shore excursion.  

     He returns to his California home as a reluctant hero.  Seemingly everyone knows his name and strangers buy him drinks.  Everyone loves Sten except for his son Adam.  Adam is like the preacher's kid who hates church:  he was constantly in trouble in school and a total embarrassment to his father. As a young adult Adam's poor choices and increasing anti-social behavior widen the chasm between father and son.

     The third character is Sara, a thirty-something veterinary assistant and radical right-wing isolationist.  She becomes romantically involved with Adam through a very odd course of events.  She eventually plays the role of enabler as Adam spirals out of control.

     The plot careens forward towards a catastrophic ending as Adam becomes more obviously paranoid and psychotic, Sara steadfastly remains in a state of denial and Sten becomes more and more frustrated at his lack of impact on his son.

     The book is told in the first person by all three characters.  The writing is superb.  The author blames nature and nurture, as well as cultural and societal pressures all as equal culprits in creating the violent anti-social Adam.  The author is short on solutions, but this is a novel and not an editorial.  I found The Harder They Come both entertaining and thought provoking.  It is yet another excellent effort by T. C. Boyle.

Friday, June 29, 2012

Book Review: Talk, Talk by T.C. Boyle









 Talk, Talk
A Novel by T. C. Boyle

Wild Child
A Novella transmitted through T. C. Boyle by
 Dana Halter, the heroine of “Talk, Talk”

(Blogger Note: This review was previously published in The LAMLight, the physician newsletter of
 Wild Child has subsequently been published as part of a short story collection.)

If the caption above intrigues you, well it should.  If you have never read anything by T. C. Boyle, then you have truly missed unique reading experiences.  This author has been called “America’s most imaginative contemporary novelist” by “Newsweek” magazine and “one of the most inventive and verbally exuberant writers of his generation” by “The New York Times.”  In my opinion these accolades underestimate the importance of Mr. Boyle.  He has written wildly entertaining historical fiction based on exceptionally eccentric characters such as Alfred Kinsey (The Inner Circle), C. W. Post and and Will Kellogg (The Road to Wellville) and Stanley McCormick, schizophrenic heir of the farm machinery fortune (Riven Rock).  He has written science fiction (Friend of the Earth) and stinging stories exposing current social dilemmas such as illegal immigration (The Tortilla Curtain).  In Talk, Talk, Mr. Boyle examines the modern phenomenon of identity theft.

The skeleton plot of Talk, Talk is superficially mundane.  A young California school teacher named Dana Halter is stopped for a minor traffic violation and is immediately arrested for several outstanding warrants from adjacent states.  She is caught in a Kafka-esque bureaucracy and spends a weekend in jail.  When it is finally determined that Dana is a victim of identity theft and not the perpetrator of these many misdeeds, she and her boyfriend Bridger Martin, a graphic artist working for a Hollywood special effects company set off on a cross country chase to confront the thief and set the record straight.

What make this story so thoroughly unique and intriguing are the characters.  Dana Halter is completely deaf, a result of meningitis in early childhood.  Her speech is difficult to interpret, often causing strangers to surmise that she is mentally deficient.  She stubbornly refused to consider cochlear implants, preferring to develop her communication skills with other methods.  Her ability to lip-read and sign deteriorates when she is stressed and agitated, which she becomes more of as the story progresses.  Bridger truly loves Dana for who she is, but as their search becomes more frenzied and Dana vents her frustrations on Bridger, their relationship suffers.  William “Peck” Wilson is the identity thief who lives the high life using stolen credit and shell game purchasing techniques.  He fluidly changes his identity depending on the circumstance.  His live in girl friend Natalia is a former mail order bride from Eastern Europe who moves in with Peck (who she knows as “Dana”) and thoroughly enjoys the American consumerism-crazed lifestyle.  Their relationship deteriorates also as Natalia becomes very concerned over just who her boyfriend really is.  She fears truthful confrontation because she does not want to jeopardize her way of life.  How people (couples especially) communicate and fail to communicate in this modern world becomes a main theme.  Dana and Bridger have problems because of Dana’s deafness.  Peck and Natalia mis-communicate because of Peck’s dishonesty and Natalia’s misunderstanding of idioms and expressions.  The other issue which comes full circle in this story is: What is identity in today’s world?  In Bridger’s world he can change the identity of a character in a movie with the click of a mouse, substituting an actor’s face for a stunt double’s and even putting a human face on a futuristic monster or super hero.  Dana can be jailed and have her entire life altered because someone has nefariously used her identity.  Peck can shed the life of a violent lower class criminal and drive the latest Mercedes coupe, live in an opulent ocean side condo and dine at the finest Los Angeles restaurants by doing a morning’s research in the public library and using readily available data to assume fraudulent identities.

      This brings us to Wild Child.  Dana teaches high school English in a school for hearing impaired children.  She is also an aspiring novelist and throughout Talk, Talk works on this novella.  It is published in the Spring, 2006 issue of “McSweeney’s Quarterly Concern.”   This publication is the brainchild of author Dave Eggers and is bizarre and innovative in its own right.  The Spring issue arrived at my home in a cigar box crammed with extraneous documents such as a 1890s legal services ad, a 1950 air raid defense brochure from the Civil Defense Administration and a 2002 Department of Defense memo authored by Donald Rumsfeld.  The main character in Wild Child is a 12 year old who was abandoned in the wilds of post-Revolution France and left for dead.  He managed to survive and is eventually recaptured by well-meaning peasants.  Attempts are made to “civilize” the wild child and to teach him how to communicate with his fellow humans.  A young scientist makes the education of Victor (as he becomes known) his primary endeavor.  He devotes all of his energies to instructing Victor how to recognize shapes and then letters.  He tries to instruct Victor how to form sounds and how the sounds represent objects.  These lessons take years to reach even rudimentary success.  The frustrations of the teacher and the pupil are documented throughout this poignant story.  Wild Child is a fascinating story in its own right.  Read in light of the themes elaborated in Talk, Talk makes it even more intriguing.  Understanding that T. C. Boyle has written this from the frustrating perspective of a deaf-mute character of his own creation is fantastic.  Each story succeeds independently, but each also enhances the understanding of the other.  These are the works of true genius.