Matterhorn
By Karl Marlantes
This incredible first novel by Viet Nam war
veteran, Yale graduate and former Rhodes Scholar Karl Marlantes was thirty
years in the making. The author
obviously has brought an incredible passion to his work. He masterfully tells the story of a young
Marine lieutenant named Waino Mellas who is literally dropped into the morass
that was the Viet Nam
war in 1969. The skeleton story is that
of the taking, then abandoning and then the retaking of a strategic mountain
near the Laotian border (code named “Matterhorn”)
which protects the North Vietnamese supply lines. Lieutenant Mellas’ Bravo platoon suffers a
similar fate to Colonel Joshua Chamberlain and his 20th Maine
Infantry at the Battle of Gettysburg: they always seem to be positioned and
repositioned to receive the focus of the enemy action.
The stories within the bigger
story, though, really expound on the incredibly cruel and truly unbelievable
circumstances that made this particular war such a miserable tactical and
political nightmare. In this author’s
accounting there is a near total “disconnect” between the strategists at the
main bases and the combatants in the field.
Soldiers are sent under-supplied and malnourished on logistically
impossible missions. Officers looking
for career advancement often exaggerate enemy casualty figures to impress their
commanders. There are palpable tensions
between the lower rank soldiers who were conscripted into service and tend to
be poorly educated and from lower socioeconomic groups and the officers who are
college graduates and from more affluent circumstances. The racial divide, present in the society as
a whole, is mirrored and magnified in the intensity of combat. The weather and terrain of Southeast
Asia are almost characters in themselves, in that they play vital
roles in many of the twists and turns of plot.
All of these subtle subtexts are deftly woven into the larger
story.
The combat sequences are not for
the faint of heart. The author “tells it
like he saw it”. The injuries are
horrific and the author spares no detail.
Marlantes has an uncanny ability to make the reader feel the sense of
futility the men have while sitting with casualties desperate for care who
cannot be evacuated by helicopter in a timely fashion because of a sudden
change in cloud cover. The reader feels
the depression of these Marines as they are asked to go on yet another long
march through dense jungle populated with everything from leeches to tigers while
watching their food, water and ammunition run out. The reader can almost feel and almost
understand the exhilaration of battle as the adrenalin rush kicks in and
fatigue, depression and hunger disappear and rage takes over.
The author’s writing style and
eloquent descriptions are fantastic. The
visual images he conjures are often as frightening as they are vivid. This excerpt is from Bravo’s initial approach
to Matterhorn as they try to prepare a small
landing zone for casualty evacuation:
“At Checkpoint Echo, with K-bars,
machetes, and Jackson’s
method of throwing their bodies against the brush, they slowly opened a small
patch of crumpled, twisted vegetation in the broad valley floor. Above them on all sides, the mountains
towered dark and green, their tops hidden by clouds.”
His descriptions also create the
atmosphere of fear, intimidation and the overall forlorn status of these
troops. If there is one small criticism
of this book, it is the frequent use of military jargon, abbreviations and
slang terms. There is a glossary in the
back which is helpful, but it does slow down the reading a bit early on until
the reader catches on to the meanings of most of these. The flip side of this criticism is that the
use of this military language does add to the overall authenticity of the
author’s writing.
Many excellent novels have been
written about the Viet Nam
war. Lots of these include first-hand
observations and experiences (Tim O’Brien’s The
Things They Carried comes to mind).
There have also been legions of movies about that war and its effects on
the combatants (Oliver Stone’s “Platoon” and Francis Ford Coppola’s
unforgettable “Apocalypse Now”, for examples).
None of these renderings have the level of authenticity and hard truth
that Marlantes’ Matterhorn has.
It is quite a remarkable novel.
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