Books Into Movies
(Blogger note: This article was previously published in LamLight, physician newsletter of the Lynchburg Academy of Medicine)
Into the Wild
By Jon Krakauer
“Into the Wild” – the
Movie
Screenplay and Directed
by Sean Penn
“Climbing the Sphinx”
By Fred Bahnson
From “Fugue” Magazine
and The Best American Spiritual Writing
2007, Philip Zaleski, Editor
“Solitude” by Lord Byron
To sit on rocks, to muse o'er flood and
fell,
To slowly trace the forest's shady scene,
Where things that own not man's dominion dwell,
And mortal foot hath ne'er or rarely been;
To climb the trackless mountain all unseen,
With the wild flock that never needs a fold;
Alone o'er steeps and foaming falls to lean;
This is not solitude, 'tis but to hold
Converse with Nature's charms, and view her stores unrolled.
But midst the crowd, the hurry, the shock of men,
To hear, to see, to feel and to possess,
And roam alone, the world's tired denizen,
With none who bless us, none whom we can bless;
Minions of splendour shrinking from distress!
None that, with kindred consciousness endued,
If we were not, would seem to smile the less
Of all the flattered, followed, sought and sued;
This is to be alone; this, this is solitude!
To slowly trace the forest's shady scene,
Where things that own not man's dominion dwell,
And mortal foot hath ne'er or rarely been;
To climb the trackless mountain all unseen,
With the wild flock that never needs a fold;
Alone o'er steeps and foaming falls to lean;
This is not solitude, 'tis but to hold
Converse with Nature's charms, and view her stores unrolled.
But midst the crowd, the hurry, the shock of men,
To hear, to see, to feel and to possess,
And roam alone, the world's tired denizen,
With none who bless us, none whom we can bless;
Minions of splendour shrinking from distress!
None that, with kindred consciousness endued,
If we were not, would seem to smile the less
Of all the flattered, followed, sought and sued;
This is to be alone; this, this is solitude!
Into the Wild is the story of Chris McAndless, an
Emory University honors graduate who gave away the remainder of his college
fund, packed his belongings into an ancient Datsun B-210 and departed on a
“magnificent adventure,” purposefully neglecting to tell anyone where he was
headed or why. Jon Krakauer is a
well-respected adventure writer. The book,
as well as the movie, are outgrowths of an article he wrote in 1991 for “Outdoor”
magazine after Chris’ body was found in an abandoned bus in the wilds of Alaska . The author has done a masterful job of
tracking Chris’ two year odyssey through Arizona, California, Mexico, Nevada,
Montana, North Dakota and, finally and fatally, Alaska. He has interviewed many people whom Chris
befriended on the road: employers, co-workers and fellow vagabonds. Through these interviews and observations,
the picture of a complex personality evolves.
Chris McAndless appears to be a
walking contradiction. He wanted to live
off of the land and survive on his own instincts (in the manner of his hero
Henry David Thoreau) but dove into all of his quests completely
unprepared. Krakauer points out that his
death was totally preventable if he had just taken a topographical map with
him. He had a strained relationship with
his parents for reasons that are well enumerated in the book, but had a
wonderful, caring and loving relationship with his younger sister. Once he departed Atlanta he did not communicate with any of
his family, even his sister who he had communicated with dutifully over the
years. He seems somewhat slovenly and
unkempt but is described by employers (a MacDonald’s manager and the owner of a
grain elevator in North Dakota )
as diligent and extremely hard-working.
He proclaimed this personal philosophy of simplicity and humility, yet
renamed himself “Alexander Supertramp.”
He introduced himself by that name on the road and left graffiti here
and there over that signature.
The author spends a good deal of
the narrative trying to justify Chris McAndless’ wanderlust and convince the
reader that the youngster was not just completely off his rocker. Read from a parents’ point of view, this book
is a horror story. The family did make
an attempt to locate Chris through the use of a private investigator, but he had
hidden his tracks too well. Into the Wild also contains some of the
author’s own experiences with mountain climbing and wilderness
exploration. He also includes stories of
other ill-fated expeditions.
In summary, Into the Wild by Jon Krakauer is an entertaining but disturbing
read. The reader never really gets a
grip on the motivations of Chris McAndless, but certainly comes away from this
with a true sense of tragedy.
“Into the Wild” (The
Movie)
Screenplay and
Directed by Sean Penn
This movie made it to Lynchburg over two months after its release and therefore my wife and I made a road trip to the Vinegar Hill Theater in Charlottesville to see it sooner. It was well worth the trip. Vinegar Hill Theater is a small arts cinema
on one end of the downtown pedestrian Mall.
The movie is really quite stunning.
The cinematography is magnificent.
The outdoor scenes, especially in Alaska ,
are breathtaking. The film makers use
odd camera angles and unusual lighting to great effect. The soaring bald eagles, roaming moose and
antelope and even bear make you feel like you are watching a “National
Geographic” or Discovery Channel special.
I was curious as to how anyone could make a movie out of a book with
such little dialogue, but Sean Penn has made good use of some of the written
messages from Chris McAndless printed over some scenes to make the story move
along. The atmosphere and “feel” of the
movie is aided dramatically by a surreal soundtrack written and recorded by
former Pearl Jam vocalist/guitarist Eddie Vedder. The sound track album is exceptional by
itself, but even more so after having seen “Into the Wild”.
The movie succeeds in several areas
where the book falters. First, Sean Penn
makes Chris McAndless a very likable character.
The book spends most of the time
trying to convince the reader that Chris just isn’t crazy. The movie fleshes out the character and this
version of Chris McAndless is really a terrific young man. He comes
across as the ultimate idealist and hater of hypocrisy. The minor characters emerge as very
sympathetic characters as well. In the
book, these characters are treated in a very journalistic or reportorial way,
whereas in the movie they come to life. It seems that peace and harmony follow Chris
everywhere he goes. Peace and harmony
follows for everyone, that is, except for Chris McAndless. In
one memorable scene at Big Sur in California ,
Rainey, one half of a hippie couple who Chris helps resolve relationship
problems, asks Chris: “Are you Jesus?”
He helps an old man (Mr. Frantz, played marvelously by octogenarian Hal
Holbrook) come to grips with his loneliness and despair over being the last one
of his family still living. Mr. Frantz
is so taken with Chris that he tries to adopt him. Chris even helps a vagabond teenager deal
with parental control issues. This
idealistic movie version of Chris helps everyone cope with their own demons
even as he searches for the understanding of his own. The tragic death scene at
the end of the movie is as haunting an experience as I’ve ever experienced in a
movie. I think it will stay with me
forever.
“Climbing the Sphinx”
By Fred Bahnson
In contrast to the Chris McAndless
story is the story “Climbing the Sphinx” by Fred Bahnson. This was originally published in “Fugue” magazine
and reprinted in The Best American
Spiritual Writing of 2007 edited by Philip Zaleski. This is an account of the author and his best
friend’s climb of The Sphinx, a mountain adjacent to the Ennis
Valley in southwestern Montana . There is no doubt about Fred Bahnson’s
motivation for mountain climbing. He
describes the area of Ennis
Pass in the opening
paragraph thus: “All that remains (after tourist season) is a comforting
emptiness that broods over the bent world of mountain and valley like the Holy
Ghost.” These two decide to become the
first to climb the icy slope without a rope.
This is a riveting description of a harrowing and near fatal trip. The author describes one portion of the
climb: “The passage upward was a passage through
, a vertical portal into Meaning.”
Further along: “Flow dissolves self-awareness. Gone are my flatland pedestrian worries about
jobs and girlfriends – or lack thereof.
Gone my doubts and fears, even my joys and elations. Those feelings will return, all of them
magnified, but in flow I just am. Both
climbers survive despite a broken ice ax and a sudden snow squall and
return. The author then asks the
ultimate question: “This climbing business, this search for flow, for spiritual
meaning – isn’t it just glorified selfishness?”
The author recounts a friend who died mountain climbing in Peru , leaving
behind his new bride to grieve as a young widow. “Where was Rob’s wife now? How had she benefited from the risks he
took?” These are the questions that Jon
Krakauer never answers in his examination of Chris McAndless in Into the Wild. Sean Penn never really answers these
questions either, although he does portray the anguish of Chris’ parents and
sister quite dramatically. Fred
Bahnson eventually stops his high adventures while his companion on the Sphinx
has an “Alexander Supertramp” type experience suffering a fatal fall while
downhill skiing Mont Blanc in France . Mr. Bahnson admits that even though “from the mountains comes a welling up of
deep-down things, a profound sense of life’s inherent majesty” that “the Sphinx
and her pyramids had become idols. Their
loosening grip on me was being supplanted by the unshakable grip of God. Augustine said that our hearts are restless
until they find rest in God, but my Great Wanting was not so much a wanting to
find as a wanting to be found.”
Nowhere in the book Into the Wild is there a hint of a
spiritual awakening. The Chris McAndless
story portrayed by Jon Krakauer seems like an aimless wandering, a wasted
life. Sean Penn does give more meaning
to the “magnificent adventure” of Chris McAndless, scripting the last eighteen
months of Chris’ life as an attempt to deal with the hypocrisy and lies of his
father. In the movie, just as Chris
comes to an epiphany of sorts, he is betrayed by his lack of preparation and
the cruelty and severity of the wild. Therein
resides the real tragedy of Chris McAndless.
From “Guaranteed” by Eddie Vedder (Soundtrack to “Into the
Wild”)
On bended knee is no way to be free
Lifting up an empty cup I ask silently
That all my destinations will accept the one that’s me
So I can breathe
Leave it to me as I find a way to be
Consider me a satellite forever orbiting
I knew all the rules but the rules did not know me
Guaranteed